Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

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Noam M. Elcott
Chicago: University of Chicago Press, 2016. 312 pp.; 145 b/w ills. Cloth $45.00 (9780226328973)
To produce the photographs in his Theaters series (1975–2001), Hiroshi Sugimoto brought his still camera into darkened movie palaces and opened the shutter for the full duration of the feature. What appears in the image is something that was never quite there—a glowing rectangle of pure white light caused by the superimposition of every frame of the film during the hours-long exposure. The extended time of capture reveals something else, something that was always there but hidden or resolutely ignored during the screening: the theater itself and its impressive, opulent architecture (231). It was cloaked in an intentional and studied… Full Review
October 6, 2017
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Wolfgang Brückle, Pierre Alain Mariaux, and Daniela Mondini, eds.
Berlin: Deutscher Kunstverlag, 2015. 296 pp.; 148 b/w ills. Cloth $79.99 (9783422073340)
Medieval works of art were made to fit into their specific ecclesiastical or secular contexts. Since the eighteenth century, such objects have been removed from their original intended locations and subsequently destroyed or placed into private or public collections. Detached from original context and use, the perception and presentation of medieval art has brought about an inherent tension: on the one hand this process has led to an understanding of medieval objects as standalone artistic creations, while on the other hand such a process is accompanied by a growing discomfort among curators with attempts to recontextualize objects back into their… Full Review
October 6, 2017
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Laura Weigert
New York: Cambridge University Press, 2015. 290 pp.; 8 color ills.; 143 b/w ills. Cloth $99.99 (9781107040472)
Research on the relation between theater and art in the late Middle Ages relies on a rich history, first highlighted in the work of Emile Mâle and Gustave Cohen at the beginning of the twentieth century. The two prominent scholars started a long tradition of looking at exchanges between art and theater, as well as at the perceived “realism” of these media. In her latest book, Laura Weigert proposes a different understanding of theater and art that concentrates on the realms of the fifteenth- and sixteenth-century French kings and Burgundian dukes. Weigert disrupts accepted thinking that separates these media and… Full Review
October 6, 2017
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Susan Rather
New Haven: Yale University Press, 2016. 316 pp.; 100 color ills.; 80 b/w ills. Cloth $75.00 ( 9780300214611)
The Hudson River School painter Asher B. Durand makes a bold declaration at the end of Susan Rather’s The American School: Artists and Status in the Late Colonial and Early National Era. Admiring European pictures during a tour abroad, Durand nonetheless hungers for “a sight of the signboards in the streets of New York” (242). He would have relished the stunning cover of Rather’s book, which reproduces five jaunty top hats from a nineteenth-century hatters’ signboard. This detail is an apt metaphor for The American School, which follows the careers of five painters (and a cast… Full Review
October 6, 2017
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Kirsten Swenson
New Haven: Yale University Press, 2016. 200 pp.; 33 color ills.; 46 b/w ills. Cloth $50.00 (9780300211566)
Piecing together a decade-long friendship via artworks, letters, photographs, critical reviews, interviews, and exhibition history, Kirsten Swenson’s Irrational Judgments: Eva Hesse, Sol LeWitt, and 1960s New York adds new scholarship to an already well-documented friendship. This book itself is an outgrowth of the 2014 exhibition organized by the Blanton Museum of Art, Converging Lines: Eva Hesse and Sol LeWitt, but Swenson’s linear reading of their friendship, begun when they were both near the start of their careers, reveals that their art was transformed as much by the times as by each other. Since much of the information in … Full Review
September 28, 2017
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H. Ike Okafor-Newsum (Horace Newsum)
Jackson: University of Mississippi Press, 2016. 226 pp.; 137 color ills. Cloth $65.00 (9781628462258)
What is Neo-Ancestralism? The phrase invokes heritage and cultural memory, but it also hints at a romanticization of the past. Demetrius L. Eudell tackles this concern in his foreword to SoulStirrers: Black Art and the Neo-Ancestral Impulse, arguing that the turn to the past of the artists documented in the book does not reflect the desire for an impossible return, but rather an interest in the “dynamic invention of new cultural forms” that have emerged from Africa by way of the horrors of the Middle Passage (xii). Over the course of SoulStirrers, H. Ike Okafor-Newsum carefully nuances the… Full Review
September 28, 2017
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Joanne Pillsbury, Patricia Joan Sarro, James Doyle, and Juliet Wiersema
Exh. cat. New York: Metropolitan Museum of Art in association with Yale University Press, 2015. 100 pp.; 87 color ills. Paper $25.00 (9781588395764)
Exhibition schedule: Metropolitan Museum of Art, New York, October 26, 2015–September 18, 2016
Because of its large size relative to a human body, a building can only be known from partial encounters: the view of a particular facade, the transition from exterior to interior when crossing the threshold, the sensation of being inside one of many rooms. The mind must assemble these fragments into a multidimensional panorama to understand the structure as a whole. Even so, aspects remain unknown: the appearance of the roof from above, the thickness of a wall, the view from a clerestory window. An architectural model represents a building at a reduced scale. Because of the new dimensional… Full Review
September 28, 2017
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Joseph Leo Koerner
Bollingen Series XXXV: 57. Princeton: Princeton University Press, 2016. 448 pp.; 275 color ills.; 50 b/w ills. Cloth $65.00 (9780691172286)
Joseph Leo Koerner is a verbal virtuoso, a master of alluring alliteration. Bosch and Bruegel: From Enemy Painting to Everyday Life is spangled with melodious word combinations like “devil dangles,” “seeming secrets,” “farthest fringe,” “hellish hill,” “sylph-like soul,” “shunning the sun,” “spiders spin,” and “rafters of the ruined hut.” Indeed, the title, with its catchy pairings of Bosch and Bruegel, enemy and everyday, already employs this stylistic device, signaling the wordplay within. This is a timely book. The date of publication, 2016, was the five hundredth anniversary of the death of Jheronimus Bosch. The year 2019 will be the… Full Review
September 27, 2017
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Sarah Robinson and Juhani Pallasmaa, eds.
Cambridge, MA: MIT Press, 2015. 264 pp.; 47 color ills.; 24 b/w ills. Cloth $34.95 (9780262028875)
In 2015 a book of edited conference papers appeared that could have a widespread and profound impact on both architectural practice and education. Mind in Architecture: Neuroscience, Embodiment, and the Future of Design is a persuasive introduction to research in brain science and its application to environmental design that stems from the founding of the Academy of Neuroscience for Architecture (AANFA) in 2003, an outgrowth of the American Institute of Architects College of Fellows research program. Juhani Pallasmaa, a Finnish architect and teacher well known for his work on multiple sensory awareness and architecture as a craft, is… Full Review
September 22, 2017
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Mark Mussari
New York: Bloomsbury Academic, 2016. 193 pp.; 33 b/w ills. Paper $29.95 (9781474223720)
Hygge is hot. According to the New York Times (December 24, 2016) and the Guardian (October 18, November 22, December 16, 2016), the Danish concept, which translates roughly to coziness, is the lifestyle trend of the moment. Hygge is so popular that it made the Oxford Dictionary’s shortlist for 2016 “word of the year.” A number of recent books outline the concept, explain its history, and instruct on how to develop it in your own home. Hygge-dedicated websites sell blankets, candles, and other comfy accoutrements designed to cultivate comfortable conviviality. It is hardly the first time a Danish lifestyle… Full Review
September 22, 2017
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